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Graham, an architect, designed both the John Hancock Center (1970) and the Sears Tower (1974).
[Y]ou do modern architecture ... in search of a vocabulary for your country, your city and the architecture you're doing.
... Most people don't understand architecture. Architecture is the design of space, both interior and exterior. So it's much
more closely related to dance than it is to painting or sculpture. Most New York buildings are sculpture. They don't have
any sense of space. And it's the idea, of course, in modern architecture ... to express that space so the people understand it rather than imperial palaces and imperial avenues. To look for the character of Chicago, for example. This
is what I would call a democratic formed city. The grid ... means all spaces are equal. That's not true in Paris. Not true
in Berlin. It's not true in any of the imperial cities. [A]nd that search for creating as I call a dance is what tells you
what's a good architect and what's a bad architect. They don't have the sense of movement of spacing. ... For example, I'll
never forget when the taxi drivers loved the Hancock Building best. And I said that's exactly what I want. I want them to understand it; not the people in Wilmette.
Source:
Graham, Bruce. Interview with Timothy J. Gilfoyle, Loyola University, on the occasion of the 1999 Making History Awards, Chicago
Historical Society.
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